
DEEPMINDS MEDIA
A social media strategy for RIMMBA
§ 01 — THE SITUATION
A real product, a real maker, a real philosophy. The story is finished. It just hasn't been told yet — anywhere.
A · 01
Handmade silk, dyed with plants and mud — in Ubud.
DIFFERENTIATED PRODUCT
A · 02
Made in service of the body — nervous system, womb, skin.
PHILOSOPHY · BUILT-IN
A · 03
No social presence. Audience exists elsewhere.
DISTRIBUTION GAP
§ 02 — THE OPPORTUNITY
The product is visually rich and story-dense. The current social presence captures none of it. Meanwhile the audience for slow fashion and botanical dye is already searching — on Pinterest, in Facebook communities — for exactly this kind of brand.
"The story is finished. We tell it where the audience is."
FRAME 02 OF 04
— THE MUD COLLECTION —
§ 03 — THE BIG IDEA · TWO PILLARS, ONE STORY.
Earth and body. Process and purpose. One pillar shows where the colour comes from. The other shows who the garment was made for. Every post lands in one of the two.
§ 04 — PLATFORM STRATEGY
Facebook and Pinterest first — that is where the slow-fashion, botanical-dye, wellness reader already scrolls. Instagram is Phase 2, built from the ground up once the voice is locked.
B · 01 · PHASE 1
page TBD · launch wk of 18 May
B · 02 · PHASE 1
@rimmba · launch wk of 18 May
B · 03 · PHASE 2
@rimmba — built from zero, month 02+
§ 05 — CONTENT READY NOW
PLATE 01 · THE PROCESS
PILLAR 01 — EARTH (BOTANICAL DYE, IN MOTION)
PLATE 02 · THE COLLECTION
PILLAR 02 — EARTH (MUD-DYED, THE FINISHED PIECE)
PLATE 03 · THE FABRIC
PILLAR 03 — BODY (TEXTURE AS INVITATION)
PLATE 04 · THE GARMENT
PILLAR 04 — BODY (DRESS · STONE · QUIET)
● CONCEPT 01 — THE COLOUR COMES FROM THE EARTH
9:16 · 00:15 · AI-NATIVE
Dye bleeding into silk. Botanicals dissolving on wet stone. Mud climbing into raw fabric. A bolt of dyed silk unfurling, fold by fold, into deeper rust.
No hands. No voiceover. Only the colour, becoming.
"The colour comes from the earth."
Macro footage of botanical dyeing this slow, this close, would take a week and a crew. AI makes the invisible step — the dye becoming the cloth — actually watchable.
§ 07 — WHAT NEEDS A SHOOT
Karunia, on camera.
The maker's hands, the maker's face, the maker's room. The credibility of "made in service of the body" sits with a real person. AI portraiture reads as AI — and erodes the exact trust this brand has earned.
The boutique on Jalan Dewi Sita.
A real place in Ubud. The light, the doorway, the rail of dresses. Generative tools cannot render a shop that exists with the truthfulness Pinterest readers expect from a slow-fashion brand.
Actual product, on a body.
For the conversion shot — the dress moving, draping, on a real woman in the actual fabric. We use AI for the process story; we use a camera for the wear story.
"These need a half-day shoot in Ubud. We can coordinate it, or recommend a local photographer Karunia already trusts."
OPTION A · DMM COORDINATED OPTION B · CLIENT DIRECT
§ 08 — MONTH 01 DELIVERABLES
§ 09 — INVESTMENT
PER MONTH · 3-MONTH MINIMUM
§ 10 — VERDICT